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House of Culture Negotin Municipality Negotin Ministry of Culture
the Goatherd

      The choral scherzo the Goatherd marks, along with the Tenth Songwreath, the highest peak of Mokranjac's art. However, there is aconsiderable difference between these two compositions: the Song-wreaths were in fact harmonizations of ex­isting melodies on a high artistic level, whereas the Goatherd was built on melodic motives from two folk-songs (Cigančica - the little Gipsy girl -and Kraj Vardara stajaše - Standing by the Vardar) which were elaborated with great artistic freedom and, with a new text (probably written by Milovan Glišić), melted into an exceedingly suc­cessful entity thanks to the author's originality and inventiveness. This fact, along with the clarity of the form, the melodic expressiveness, har­monic and contrapuntal qualities and the vivid, realistic description of the situation which is the subject matter of this song, has won the Goatherd a particular place not only in Mokranjac's opus, but in the entire Serbian choral literature as well.

   
The introductory call "Ajde, de!" in the interval of the fourth leads to the first thematic element exposed in the manner of imitation, remindful of a double fugue.The rhythm of the second element is similar to the first, but it also presents a contrast by its ma­jor tonality. The introduction and both thematic elements are repeated and this leads us to expect the composition to develop in stanzas, but the: work develops in a different way: the little village boy, hired as goatherd, has the misfortune of seeing on of his goats slip from a high crag and die falling down. The dramatic culmination, achieved by means of a chromatic sequence sung to the words "le, le, le" (Woe to me, woe) is, of] course, not to be taken too seriously, neither are the little goatherd's sad words "ci, ci, kozice" (tsi. tsi, my little goat), presented in the form of a canon. The whole sweet and bitter (cheerful and sad) story ends with a reminiscence of the seco thematic element, in major.

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